Showing posts with label Community College Teaching. Show all posts
Showing posts with label Community College Teaching. Show all posts

Wednesday, June 1, 2011

Another Older Press Release for the Piano Studio

March 10, 2011

Piano students gaining valuable insight
Having recently attended a master class by pianist, Jon Kimura Parker at Wichita State University, students in Cowley College’s piano studio will now prepare to participate in the Walnut Valley Music Teachers’ Association Spring Festival Sunday in the Brown Center.

Piano instructor, Dr. Gloria Tham, and students in the piano studio observed four piano majors perform at the master class, followed by their coaching session with Mr. Parker.

“We all gained valuable insight in practice and performance techniques of pieces by Beethoven and Chopin,” Dr. Tham said.

The students of the piano studio will now turn their focus to the Walnut Valley Music Teachers’ Association Spring Festival, where the students will get to work individually with another adjudicator.

“This festival will let them gain experience in playing for a different audience and learn some different ideas on the pieces they are working on,” Dr. Tham.

Dr. Tham and several of the students also have plans to attend Melody Bober’s workshop this weekend and also Leon Fleisher’s solo piano recital at Wichita State University’s Wiedemann Hall, next Thursday.

Next month, there will be two performance events featuring Dr. Gloria Tham, in a faculty recital on April 5 at 7 p.m. and Cowley Piano Studio Recital on April 17 at 2:30 p.m. Both events are free and open to the public. Current students and scholarship recipients for 2011/2012 will perform during the studio recital. The recital will showcase the repertoire the students have been practicing throughout the semester.

“This is a great opportunity for the students to play in a formal recital setting in a concert hall and share the fruits of their hard work with family and friends,” Dr. Tham said.

Students of the piano studio are: Will Austin, Anne Bloyer, Aaron Brooks, Melisa Coberley, Tosha Coberley, Hannah Dillard, Valerie Monteith, Asa Muntz and Kelley Reynolds.

Along with Dr. Tham’s performances on April 5 and April 17, three more performances will follow. The performances are:
  • April 10 - First United Methodist Church, Ponca City, OK.
  • April 21 - Master Class and Recital at Central Christian College, McPherson, KS.
  • April 29 - College Avenue United Methodist Church, Manhattan, KS.

Thursday, March 11, 2010

Dear student

Dear student,

Yes, you are right. I am not an expert on learning disabilities or physical disabilities, but one thing I do know: carving a career in music (notice I used the word "carving") is difficult even for the best of talents and the most hardworking of musicians. After spending 11 years in music school, I do know a thing or two, although you disagree. For me to not tell you the truth would be grossly negligent and highly irresponsible of me as your teacher.

Many of my friends who started music school with me and started their careers in music have quit that career path. Music is now their avocation and not their primary means of earning an income. Self-employment allows you great independence, but you would have to provide your own benefits (health insurance, worker's comp, retirement, etc.). Finding employment with an institution is highly competitive. I count myself very blessed to find a job in the year I graduated. Some of my professors' colleagues and classmates who have degrees from prestigious music schools are still looking for jobs.

Teaching is a calling and not just for anyone. Is it rewarding? Yes, it is. If you're worried that you will be made fun of, be prepared. You will have to deal with lots of personalities unlike your own, not only from your students but their parents as well. There is always a stack of paperwork to do, which doesn't directly impact your teaching and at times, you may not be teaching students the level you desire, or the types of classes you want.

If you want to just be a performer and not teach, know that you are committing yourself to a lifelong discipline of practicing and keeping your playing skills. This becomes challenging when other grown up responsibilities encroach on your time. If you're being paid well-enough to just practice, and not have to work, I'll be the first to be very happy for you.

So dear student, please do not think I'm misjudging your capabilities or that I'm discouraging you from your dreams. There are countless other possibilities with music besides a career. I want you to weigh the costs of your dream and be fully aware of the path you are choosing. I wish you all the best!

Sincerely,
Dr. Tham

Thursday, December 24, 2009

New Chapter

It seems that blogging could be just another thing to keep up with. I've not been very good at keeping my blog updated. As I look back on my first semester of teaching, there are some self-observations and things to ponder.

The difficult part about teaching at this college is not mainly academic. My general observation of the students here are that they lack direction in life and are very myopic. (This is true of most freshmen and teenagers, I'm sure.) Being a community college, the lower tuition does attract students who are not as well-off financially and are not as prepared for life (much less college). I remember having a discussion with a friend about the attitude of poverty. I'm thankful for that conversation because I am now observing the effects of that attitude. The students have to work to afford school but their work schedule is affecting school. Some of my students are working 40 hrs a week and working the third shift. At the same time, there are those who are trying their hand at the slots in the casinos, spending (wasting) what little money they have. I had a student who said he's kept track of his wins at the casino and he's ahead by $20. I didn't mince words when I said, "How many hours have you spent there to make $20? I can show you a way to make $20 in one hour." Cruel of me to say that, right? Sad, that it never crossed his mind.

There are also students who have not been parented and I am in the role of a surrogate/foster mom. They have no idea how to care for themselves as they've never been cared for before. I think my An-An is privileged to be my cat. She has the best food (real fish or poultry cooked specially for her), a nice warm bed to sleep in and someone who pays her attention. Most teens do not care about their nutritional intake. I had a few students who were not eating and were not aware of the problems that this behavior will lead too. I dislike lecturing or having to step into the role of MOM but when I talk to them, their ignorance is so apparent and I shock them back into eating.

It is also my first semester teaching aural skills so it was a steep learning curve for me. I never took an aural skills class. The pedagogical challenge in teaching any subject is to present the material and concepts clearly. I discovered that most students lack a systematic approach to dealing with a problem. I am not an advocate of rules or to repeating steps for solving problems, because creative problem solving is the way to go. The students I dealt with had no idea of what exactly they needed to achieve which impedes the problem solving process. The challenge for me was to let them figure out what they could or could not do on their own. We progressed very slowly based on the textbook but we did make solid progress on some basic concepts.

As far as piano teaching went, I taught class piano and applied piano. I didn't have any piano majors (not yet). I last taught class piano at Wichita State and I modeled my syllabus after it. Towards the end of the semester I decided that since it was my class, I shouldn't allow Wichita State's syllabus to dictate the pace and materials covered. It was a sigh of relief for everyone as I postponed the teaching of the black key major scales to Class Piano II which is a new class I am establishing. For applied piano, it was expected that there would be some basic problems to solve and teaching them how a grand piano is different than an upright. I am requesting for a grand piano to be put in my studio next semester.

My other steep learning curve was with student auditions. I do have 10 free rides (tuition and books) to award and I auditioned two students this semester. One was successful, the other is pending because the parent acted inappropriately the entire audition. The student refused the offer to try out the piano which I thought was very strange. The playing was alright, not great (legato, phrasing, voicing & dynamics) but not bad (memory & pedalling). Following the audition, the parent answered every interview question I posed to the student and also openly challenged my teaching ability. I offered to give her child a lesson on her audition piece if she was so concerned that her child would have nothing to gain from studying with me. I also told them they could take my cell phone and find the numbers of several piano profs. I told them one phone call and I can set up another audition for her kid. As I walked them out, I casually asked whether she had played a grand piano before. She said she has never and I chuckled, "That explains your playing." I hated to tell them that playing on a grand is not arrogant behavior because it's like asking a Nascar driver to drive an ordinary car for a race. I will have closed auditions from now on. No one else will be allowed in the room during the audition. I regret I don't fawn over many things and I try to stay emotionally reserved (Now if you're An-An, that's a different story). I came from that afternoon totally exhausted.

I am wondering about why my college asks me to provide dinner or prelude music. I'd rather not because that is something I don't do on a regular basis. I'm neither a gig musician nor do I wish to establish that reputation without establishing my recital capabilities first. I am walking a fine line here. If they sincerely wish for a piano program at this college, then I must be a serious musician and do what most piano majors do. Besides, I want to put my best foot forward and show them what my strengths are. April 1, 2010 will be my debut faculty recital there.

So here's to a good first semester of teaching.